One of the most interesting contributions African-American newspapers made in this regard was publishing illustrated biographical profiles that offered readers capsule histories of hundreds of black figures. These series included “Your History” and “Facts About the Negro” by historian and journalist J.A. Rogers and illustrators George L. Lee and A. Sam Milai in the Pittsburgh Courier and Chicago Defender; “Our People: Pages from History” by illustrator Melvin Tapley in the New York Amsterdam News; “They’ll Never Die” by Elton Fax and “Interesting People” by George L. Lee, which were syndicated in several African-American newspapers.
As shown in the image galley above, each of these historical profiles included illustrations and brief textual descriptions of historical figures. What these biographical sketches lacked in depth, they made up for in breadth. Published in regular runs over a period of five decades, these series delved beyond the familiar names of King, Parks, Tubman, Washington, and Douglass, to profile less well-known African-American inventors, entertainers, activists, athletes, and business people. Black women were featured frequently, including actress Rose McClendon, lawyer Lois Marie Browne-Evans, and New York educator Edwina C. Johnson. These historical profiles were embedded among the articles, editorials, advertisements, and cartoons that made up a typical newspaper. This placement made African-American history part of everyday popular culture. Readers could pick up a newspaper and learn a bit more about African-American history. It is easy to imagine people clipping the profiles from the newspapers to add to scrapbooks.
In this way, the profiles call to mind The Black Book (1974), a collection of letters, photographs, newspaper clippings, advertising cards, and ephemera put together by collectors Middleton Harris, Morris Levitt, Roger Furman, and Ernest Smith, as well as Toni Morrison, who was then an editor at Random House. In a 1974 New York Times essay, Morrison described the project emerging from “an intense love of black expression and a zest wholly free of academic careerism,” and said the book was built “item by item, page by page…it was more like planting a crop than making a book.” Later in the essay, Morrison discuss what this “crop” had produced: “Looking at the fruits of that work displayed in ‘The Black Book,’ I felt a renewal of pride I had not felt since 1941, when my parents told me stories of blacks who had invented airplanes, electricity and shoes.” The inventors and patents Morrison cites—“Grant Woods’s telephone system and apparatus, 1877; A. Miles’s elevator, 1887; William Purvis's improved fountain pen, 1890; J. H. Smith's lawn sprinkler, 1897; L. S. Bailey's folding bed, 1899; W. Johnson's egg beater, 1884; C. B. Brooks’s street sweeper, 1896; Burridge’s and Marshman’s improvement on the typewriting machine, 1885; A. L. Lewis’s window cleaner, 1892; and H. L. Jones’s corn harvester, 1890”—are the sort of figures featured in series like “Facts About the Negro” and “Our People.” In a similar way to Morrison finding inspiration in stories of black inventors, the illustrated biographical profiles in African-American newspapers were seeds that could grow among readers into a deeper appreciation of history.
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- "Facts About the Negro": Oscar DePriest
- "Our People": Arthur Schomburg and Martina Johnson
- "Interesting People": Jane Hunter and Mordecai Johnson
- "Our People": Lois Marie Browne
- "They'll Never Die": J.D. Baltimore
- "Your History": Elsie Austin
- "Facts About the Negro": Edwina C. Johnson
- "Your History": Wilson Lovett
- "They'll Never Die": Rose McClendon
- "They'll Never Die": Frances Harper
- "They'll Never Die": "Major" Taylor